
๐๐๐ฉ๐ฉ๐ฒ ๐๐๐ฆ๐ข๐ช๐ฎ๐ข๐ง๐๐๐ง๐ญ๐๐ง๐ง๐ข๐๐ฅ, ๐โ๐๐ฅ๐ฅ!โฃ
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July 4, 2026, will be the 250th anniversary of Americaโs Declaration of Independence and the museum will celebrate leading up to that date in a number of ways. We are proud to partner with the ๐ช๐๐ซ๐ซ๐ข๐จ๐ซ ๐๐ข๐ฏ๐๐ซ๐ฌ ๐๐ก๐๐ฉ๐ญ๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐๐๐ฎ๐ ๐ก๐ญ๐๐ซ๐ฌ ๐จ๐ ๐ญ๐ก๐ ๐๐ฆ๐๐ซ๐ข๐๐๐ง ๐๐๐ฏ๐จ๐ฅ๐ฎ๐ญ๐ข๐จ๐ง by hosting several events commemorating this milestone. โฃ
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A series of programs based on DARโs museum exhibits will be presented by ๐๐๐ ๐ฆ๐๐ฆ๐๐๐ซ ๐๐ง๐ ๐๐ฅ๐จ๐ฎ๐ง๐ญ ๐๐จ๐ฎ๐ง๐ญ๐ฒ ๐ซ๐๐ฌ๐ข๐๐๐ง๐ญ ๐๐ซ๐๐ง๐ ๐๐๐ญ๐ก๐๐ฆ throughout the year as part of the museumโs ๐๐ซ๐จ๐ฐ๐ง ๐๐๐ ๐๐ข๐ฌ๐ญ๐จ๐ซ๐ฒ ๐๐๐ซ๐ข๐๐ฌ.โฃ
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The first is โ๐๐๐ฐ๐ง ๐ข๐ง ๐๐ฆ๐๐ซ๐ข๐๐: ๐๐๐ค๐ข๐ง๐ โ ๐๐๐๐ง๐ข๐ง๐ โ ๐๐๐ฆ๐จ๐ซ๐ฒโ ๐จ๐ง ๐ช๐๐๐ง๐๐ฌ๐๐๐ฒ, ๐๐๐ง. ๐, ๐๐๐ ๐ข๐ง๐ง๐ข๐ง๐ ๐๐ญ ๐ง๐จ๐จ๐ง. This โgroundbreaking exhibit combines sewn items from all textile sections of the DAR Museumโs collections: clothing, household textiles, quilts, and needlework and examines the role sewing played in American life; based on the DAR Museumโs 2024 exhibition.โโฃ
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The exhibit was created by Alden OโBrien, who is the DAR Curator of Costumes and Textiles. OโBrien says, โSewn in America tells the story of American women through the needle and thread. This exhibition will explore the many ways that sewing has been used to create functional items, express personal identity, and make art.โโฃ
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Latham, author of novels and childrenโs books, says her first love in writing is poetry, a genre for which she has also received awards. She has recently added the title of playwright and her first work in that genre will appear on the Covered Bridge Playersโ stage sometime in 2026. โฃ
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Bring your lunch, or not, and wear your red, white, and blue as we take a look at American history through fashion and textiles.โฃ

Henry Sledge, the son of Eugene Sledge, will be at the museum on Saturday, Jan. 17, at noon to participate in a discussion about his recently published book, The Old Breed: The Complete Story Revealed. Eugene Sledge, PhD, was a long-time professor of biology at University of Montevallo. Most will probably remember Professor Sledge more for his time as a U.S. Marine who served in the Pacific theater during World War II. The elder Sledge, known as Sledgehammer to his Marine Corps buddies, chronicled his time in military service in two memoirs, With the Old Breed: At Peleliu and Okinawa and China Marine: A Soldierโs Life after World War II, both of which are captivating and well written. Sledgeโs memoirs are made more interesting because he was an enlisted Marine who never rose above the rank of corporal. They are also unique in that he was willing to share his experiences unlike many who never discussed their service. At the time of his first book, such memoirs were uncommon; publishers assumed such accounts written by well-known generals and admirals would be more enlightening and better received and thus garner more sales. Sledgeโs books helped to shatter that stereotype. He became even better known with the airing of the 2007 Ken Burnโs documentary, The War, which featured Sledgeโs story and the 2010 miniseries, The Pacific, where he was also one of the central characters.
Henry took on the task of expanding on his fatherโs experiences using material edited out of the original manuscript, along with his own interactions with his dad. As well written as the fatherโs books are, his sonโs might be even more so because of the richness of added perspectives. Henry drew on the original first-person tales by his father, blending them with his own first-person memories of growing up with the man, and interlaced third-person accounts of troop movements, battle scenes, and combat reports. Many writers would find that a daunting task, but Henryโs writing is seamless. It flows like a river with bends and turns, but it still carries the reader downstream. Ultimately, one discovers even greater depth and insight into both the young Marine and the man he became as he grew older. Perhaps the subtitle of the book, A Father, A Son and How WWII in the Pacific Shaped Their Lives, says it all.

Joey Brackner, author of Alabama Folk Pottery, will be our guest on Thursday, Jan. 22, at noon to share his expertise on the art of pottery in Alabama. His decades of experience and research make Joey the resident expert in Alabama folk pottery and the traditions of the art. Now retired, Joey was formerly the Director of the Alabama Center for Traditional Culture, which is a department of the Alabama State Council on the Arts. For many years, he hosted โJourney Proud,โ the Alabama Public Television documentary series that examined the diverse cultural and historic traditions found throughout Alabama.
Joey earned a bachelorโs degree in Anthropology from the University of Alabama at Birmingham and received a masterโs degree in Anthropology from the University of Texas at Austin. He served as the Humanities Scholar in Residence at the Birmingham Museum of Art and later, the state folklorist.


Unable to visit the museum during the week? Well, we are open one Saturday each month from 10 a.m. to 2 p.m. Come see what youโve been missing and discover some history. Our 2025 Saturday schedule is:
January 25 (Also the date of the Historical Society quarterly meeting from 11 a.m. to 1 p.m. It is open to everyone,) February 22, March 22, April 26, May 17, June 28, July 26, August 23, September 27, October 25, September 27, and November 22. The museum will NOT be open on any Saturday in December. Stay tuned for next year’s Saturday openings.